THE LOST BAR

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Absinthe Extra-Supérieure, 1900

Cappiello's early absinthe hand, four years before the devil.

What

A poster for J. Édouard Pernot's absinthe extra-supérieure — Leonetto Cappiello working the same green hour that would make him famous a few years later, in Paris.

Why

One of a run of absinthe commissions Cappiello painted between 1900 and 1914, before the bans closed the category he had helped sell. The house he was building his style in no longer exists to hire him.

Notice

Cappiello's flat, saturated color fields and single dramatic figure — the vocabulary he would perfect on Maurin Quina, already forming here.

“The style outlived the spirit.”

Format

The full-resolution, color-managed file — restored honestly, yours to print and keep.

Sized to protect print quality — this scan supports sizes up to 27x41" cleanly.

Size

Personalization (title-swap) is coming to this piece — join the house list to hear first.

$29.00

Provenance

The Lost — mark extinguished
Artist
Leonetto Cappiello
Country
France
Format
Poster (affiche)
Piece published
Absinthe extra-supérieure J. Édouard Pernot, advertising poster, 1900
Source
Bibliothèque nationale de France (Gallica) · Gallica btv1b9014990b
View the public source record ↗

Scan: Bibliothèque nationale de France, via Gallica, hosted on Wikimedia Commons.

Rights: CLEAR. Public domain — U.S. 95-year rule (piece published 1930 or earlier). Gated by the piece’s own publication year, never a brand’s founding year. Cleared by registry on 2026-07-16.

J. Édouard Pernot was extinguished by the absinthe bans of the 1910s. Everything sold here is the art, not the drink.

The Back Bar: Belle Époque

Three ghosts from the same twenty years — Robette, Pernot, and the devil of Maurin Quina. Hung together, they are the Green Hour's whole argument in one wall.

See the set in The Green Hour →

A house of the Provenance family