Empire & Export · 1892–1929 · Japan · Australia · French Algeria
Trade Winds
The bar the empire built — beer, rum, sake, and colonial wine advertising from Tokyo to Brisbane to Algiers.
Where the Belle Époque wall stops at the Atlantic, the same commercial-art wave carried further on colonial and export trade: Japanese beer houses selling to a modernizing empire, Australian colonial breweries and distillers, French Algeria's settler wine trade. Most of these marks never stopped pouring — Kirin, Asahi, and Australia's XXXX and Tooheys are still on shelves today. Sold strictly as art history, flagged live throughout, the same rule as the Champagne Wall.
This collection is thin by design, not by neglect. A dedicated research pass searched colonial Africa beyond Algeria, treaty-port China (Tsingtao), and French Indochina (Vietnam) for real, independently hosted period advertising and came back with almost nothing that clears this house's confirm-by-direct-fetch bar — see DECISIONS.md for the honest accounting of what was searched and what still isn't there.
Live mark — art history onlyAsahi Beer, 1920s
Asahi Lager Beer — Dai Nippon Brewery Company poster
The Lost — mark extinguishedSakura Beer, 1912
Kitano Tsunetomi · 1912
Live mark — art history onlyNippon Shuzō — Woman in Blue Kimono, c. 1915
Nippon Shuzō Kabushiki Kaisha — advertising poster
Live mark — art history onlyKirin Beer, 1926
Hokuu Tada · 1926
Live mark — art history onlyFourex, 1920
Fourex beer advertisement — Castlemaine Perkins Ltd.
Live mark — art history onlyBeenleigh Rum, 1921
Advertisement for Beenleigh Rum, Sports Referee
The Lost — mark extinguishedMascara — Vin d'Algérie, 1925
Mascara vin d'Algérie — wine label, reproduced on postcard
77% of every piece now hanging carries a dead mark