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Le Café-Concert, Yvette Guilbert, Toulouse-Lautrec, 1893
Yvette Guilbert in a few lines and one black glove.
What
Henri de Toulouse-Lautrec's lithograph of Yvette Guilbert, from Le Café-concert, 1893; Cleveland Museum of Art, accession 1950.326.
Why
Guilbert's face, long and sharp-nosed, was the most recognised in the café-concert, and Lautrec needed almost nothing to draw it.
Notice
The profile is a handful of lines on white paper, and the bow at her throat is the one solid black.
“Lautrec's portrait as a signature.”
Format
The full-resolution, color-managed file — restored honestly, yours to print and keep.
Sized to protect print quality — this scan supports sizes up to 18x24" cleanly.
Size
$29.00
Provenance
The Lost — mark extinguished- Artist
- Henri de Toulouse-Lautrec
- Country
- France
- Format
- Other
- Piece published
- Le Café-concert: Yvette Guilbert, 1893
- Source
- Cleveland Museum of Art · 1950.326
Scan: The Cleveland Museum of Art; CC0 Open Access.
Rights: CLEAR. Public domain — U.S. 95-year rule (piece published 1930 or earlier). Gated by the piece’s own publication year, never a brand’s founding year. Cleared by registry on 2026-11-02. Dated 1893 by the museum; maker Henri de Toulouse-Lautrec (French, 1864–1901); the Cleveland Open Access record reads CC0. Served from the house's own store, cropped.
This brand was no longer in the market. Everything sold here is the art, not the drink.
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