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À l'Olympia, Delâtre, c. 1895
A man in a top hat at the back of the music hall.
What
Eugène Delâtre's drypoint À l'Olympia, about 1895; Cleveland Museum of Art, accession 2025.184.
Why
The Olympia opened as a music hall on the boulevard des Capucines in 1893, and Delâtre drew its standing crowd.
Notice
The man in the foreground leans on a cane in a pale coat, and the crowd of hats and furs fills the right half of the plate.
“A printmaker's view of the crowd in the hall.”
Format
The full-resolution, color-managed file — restored honestly, yours to print and keep.
Sized to protect print quality — this scan supports sizes up to 27x41" cleanly.
Size
$29.00
Provenance
The Lost — mark extinguished- Artist
- Eugène Delâtre
- Country
- France
- Format
- Other
- Piece published
- A l'Olympia, 1895
- Source
- Cleveland Museum of Art · 2025.184
Scan: The Cleveland Museum of Art; CC0 Open Access.
Rights: CLEAR. Public domain — U.S. 95-year rule (piece published 1930 or earlier). Gated by the piece’s own publication year, never a brand’s founding year. Cleared by registry on 2026-11-02. Dated c. 1895 by the museum; maker Eugène Delâtre (French, 1864–1938); the Cleveland Open Access record reads CC0. Served from the house's own store, cropped.
This brand was no longer in the market. Everything sold here is the art, not the drink.
From The Café-Concert
The Lost — mark extinguishedAmbassadeurs, La Jolie Fagette, Chéret, 1891
Jules Chéret · 1891
The Lost — mark extinguishedAlcazar d'Été, Les 4 Sœurs Martens, Chéret, 1888
Jules Chéret · 1888
The Lost — mark extinguishedAlcazar d'Été, Kanjarowa, Chéret, 1891
Jules Chéret · 1891
The Lost — mark extinguishedAlcazar d'Été, Lidia, Chéret, 1895
Jules Chéret · 1895
A house of the Provenance family